"W A R L O R D S "

Warlords is a series of five portraits of professional "Muay Thai" fighters by Australian artist Troy Schooneman. Warlords most immediately distinguishes itself with the fact that these fighters are all émigrés to Thailand. The appearances and poses of the men in Schooneman’s portraits both challenge and extend local views of the sport and the forms of masculinity that usually symbolize this artful yet brutal sport.

Muay Thai emerged from bare-fisted boxing to become codified during Thailand’s accelerated modernization in the late 19th and early 20th centuries. Characterized by the combined use of fists, elbows, knees and shins, the public practice is preceded by a ritual where the fighter pays homage to the teacher. Traditional, remarkably disciplined and culturally evocative, the spectacle of Muay Thai carries a rich set of associations: between national pride and underground economies; ancient knowledge and contemporary working class heroism; and, of course, beauty and degradation.

The men in Schooneman’s portraits carry the chiseled idealism of warrior masculinities, tense and confrontational. And their gaze typically meets ours. However, a close examination of the portraits reveals a subtle array of emotions that complicate the mere celebration of brawn. "Warlords" can essentially be experienced as a meditation on the intricate and often contradictory relationships that the fighters hold with their acquired identities. .